Ever since Joe Jackson's debut album, Look Sharp, yielded his first single in "Is She Really Going Out With Him?" in July of 1979, which peaked at number 21 on Billboard (the album hit number 20), his career has seen him investigate a multitude of musical styles with clean-cut charm and poise. Jackson has dabbled in everything from reggae, disco, and soul to power pop, jazz, and even big band. Stepping Out covers 15 of his biggest singles, including his highest chart-topper, "Stepping Out," which hit number six on Billboard's Top 40, from the suave sounding Night and Day album. The downhearted appeal of "Breaking Us in Two" appears here as well, along with the salsa- flavored "You Can't Get What You Want (Till You Know What You Want)," which reached number 15 and was the strongest track from 1984's Body and Soul album. Outside of his chart appearances, the rest of this hits collection holds up well. Jackson's voice is heard in wispy detail on "Fools in Love," while his humor and wit explode on "I'm the Man" from the album of the same name. The live release entitled Big World from 1986 is spoken for with both "Right and Wrong" and the candid allure of "Hometown."
In his 1999 memoir, A Cure for Gravity: A Musical Pilgrimage, Joe Jackson writes approvingly of George Gershwin as a musician who kept one foot in the popular and one in the classical realms of music. Like Gershwin, Jackson possesses a restless musical imagination that has found him straddling musical genres unapologetically, disinclined to pick one style and stick to it. The word "chameleon" often crops up in descriptions of him, but Jackson prefers to be thought of as "eclectic." Is he the Joe Jackson he appeared to be upon his popular emergence in 1979, a new wave singer/songwriter with a belligerent attitude derisively asking…
2009 two CD set. Joe Jackson was one of the pioneers of the leading British-based artists that brought a New Wave sound to the world in the late '70s. This compilation of recordings is taken from the BBC s archives, who caught a snapshot of the artist at the start of his career and charted his phenomenal rise to success. Recorded between 1979 and 1983, this collection contains 32 live recordings including Is She Really Going Out With Him Steppin Out , Real Men , Breaking Us In Two and It s Different For Girls . Certainly, Joe Jackson in his prime! Universal.
With such an abundance of great tracks that were never issued as singles, in many ways, a single-disc Joe Jackson best-of just doesn't cut it. That's where the extensive, three-disc comp Ultimate Collection comes in handy. While artist collections are usually aimed at the casual fan (in search of strictly an artist's best known tracks), the third disc of Ultimate Collection will definitely appeal to the hardcore fan, as it's the first-ever CD release of Jackson's soundtrack to Mike's Murder. Jackson's early, new wave direction is evident on such standouts as "Sunday Papers," "I'm the Man," "One More Time," and of course, "Is She Really Going Out With Him" (one complaint though – the omission of "Look Sharp").
This collection from the singer, songwriter and New Wave icon featurs 37 classic tracks from his A&M years including 'Steppin' Out', 'Is She Really Going Out With Him?', 'Right And Wrong', 'It's Different For Girls', 'Nineteen Forever' and many more.
Part of the Backlot series from A&M featuring newly-designed artwork, digital remastering, unreleased tracks and extensive liner notes. Tracks include “Is She Really Going Out with Him?,” “Look Sharp!,” “Sunday Papers,” “Steppin’ Out,” “Nineteen Forever” and more, plus live versions of “A Slow Song” and “Memphis.”
In his 1999 memoir, A Cure for Gravity: A Musical Pilgrimage, Joe Jackson writes approvingly of George Gershwin as a musician who kept one foot in the popular and one in the classical realms of music. Like Gershwin, Jackson possesses a restless musical imagination that has found him straddling musical genres unapologetically, disinclined to pick one style and stick to it. The word "chameleon" often crops up in descriptions of him, but Jackson prefers to be thought of as "eclectic." Is he the Joe Jackson he appeared to be upon his popular emergence in 1979, a new wave singer/songwriter with a belligerent attitude derisively asking, "Is She Really Going Out with Him?" The reggae-influenced Joe Jackson of 1980's Beat Crazy? The jump blues revivalist of 1981's Joe Jackson's Jumpin' Jive? The New York salsa-styled singer of 1982's "Steppin' Out"? The R&B/jazz-inflected Jackson of 1984's Body & Soul? Or is he David Ian Jackson, L.R.A.M. (Licentiate of the Royal Academy of Music), who composes and conducts instrumental albums of contemporary classical music such as 1987's Will Power and 1999's Grammy-winning Symphony No. 1? He is all of these, Jackson himself no doubt would reply, and a few others besides.
2 DVD set of Joe Jackson's 1980 and 1983 (three separate concerts!) performances on German TV. The first ""Rockpalast"" performance in March 1980 features Jackson and band performing songs from his new wave punk era as well as hints of things to come. The 1983 shows focus on his classic album ""Night and Day"" and its jazz, pop sound as well as revisiting his previous hits. Top notch songwriting and performances. Joe Jackson (born David Ian Jackson, 11 August 1954) is an English musician and singer-songwriter now living in Berlin, whose five Grammy Award nominations span from 1979 to 2001. He is probably best known for the 1979 hit song and first single "Is She Really Going Out with Him?", which still gets extensive US FM radio airplay; for his 1982 Top 10 hit, "Steppin' Out"; and for his 1984 success with "You Can't Get What You Want (Till You Know What You Want)". He was popular for his pop/rock and New Wave music early on before moving to more eclectic, though less commercially successful, pop/jazz/classical hybrids. Joe Jackson has been nominated for induction into the Rock & Roll Hall Of Fame numerous times.
He burst onto the scene a couple of years later than Elvis Costello and Graham Parker, but Joe Jackson completed British rock's Angry Young Man trinity...
1982 will forever be known as the year that the punks got class – or at least when Joe Jackson and Elvis Costello, rivals for the title of Britain's reigning Angry Young Man – decided that they were not just rockers, but really songwriters in the Tin Pan Alley tradition. (Graham Parker, fellow angry Brit, sat this battle out, choosing to work with Aerosmith producer Jack Douglas instead.) Both had been genre-hopping prior to 1982, but Jackson's Night and Day and Costello's Imperial Bedroom announced to the world that both were "serious songwriters," standing far apart from the clamoring punkers and silly new wavers. In retrospect, the ambitions of these two 27-year-olds (both born in August 1954, just two weeks apart) seem a little grandiose, and if Imperial Bedroom didn't live up to its masterpiece marketing campaign (stalling at number 30 on the charts without generating a hit), it has garnered a stronger reputation than Night and Day, which was a much more popular album, climbing all the way to number four on the U.S. charts, thanks to the Top Ten single "Steppin' Out".
One of the best rock musicians, and one of the most underestimated. Jackson can do any music style he wants, and do it good. Listen to the 3 versions of "Is she really going out with him" - there's a good demonstration to that...