Anne Phillips - Democracy and Difference

Anne Phillips - Democracy and Difference

Anne Phillips - Democracy and Difference
1993 | ISBN: 074561096X | English | 175 pages | PDF | 19 MB

The Strangeness (1985)

The Strangeness (1985)

The Strangeness (1985)
BRRip 720p | MKV | 1280 x 720 | x264 @ 2560 Kbps | 1h 32mn | 1,90 Gb
Audio: English AC3 2.0 @ 192 Kbps + Commentary track | Subtitles: None
Genre: Horror | Director: Melanie Anne Phillips

A group of miners on an excursion into the Gold Spike Mine fall prey to a man-eating monster in this obscure 1980 horror oddity from director David Michael Hillman. They were warned by the old-time prospectors to stay far away from the caves, but when greed takes precedence over good judgment, the body count begins to multiply. It's been years since the creature has enjoyed a fresh meal, and with a tunnel full of delicious miners to savor, who can blame the starving beast from indulging in a rare feast?

Anthony Phillips - Private Parts & Pieces Part III 'Antiques' (1982)

Anthony Phillips - Private Parts & Pieces Part III 'Antiques' (1982)

Anthony Phillips - Private Parts & Pieces Part III 'Antiques' (1982)
EAC Rip | FLAC, IMG+CUE, LOG | 205 MB | 44,05 min | Scans
Label: Virgin Records | Progressive Folk, Other Style | RAR 3% Rec.

This is his third classic and acoustic guitar oriented album. Mostly there are only guitars! It is a very mellow and peaceful album. The ensemble is not very rhythmic, and the speed involved is often low, so that one can appreciate each note played. I do not think it is very accessible. Here again, you can constantly hear Phillips' fingers rub the strings, which may be annoying for some. Some tracks have an increased notes flow, while others have many pauses. The best track is the one with the special guest guitarist Enrique Barro Garcia: he plays a bluesy ethereal electric guitar while Phillips plays a rhythmic acoustic guitar note by note. Phillips uses sometimes a good 12-string acoustic guitar.

The Len Phillips Big Band - Let's Face the Music and Dance (2018)

The Len Phillips Big Band - Let's Face the Music and Dance (2018)

The Len Phillips Big Band - Let's Face the Music and Dance (2018)
MP3 CBR 320kbps | 01:03:25 | 150.32 Mb | Cover
Swing, Big Band | Label: Razzle Dazzle Productions Ltd

“The best band in the country” is how Channel Radio’s Roger Jeffrey described the Len Phillips Big Band. Over the last thirty years this 16 piece swing orchestra has grown to be Britain’s most popular big band. In its ranks are players who between them have worked with Frank Sinatra, Ella Fitzgerald, Ted Heath, Henry Mancini and Shirley Bassey to name but a few. The latest CD “Our Kind of Music” was produced with the late, great David Jacobs CBE and can be heard regularly on BBC Radio 2 and Jazz FM.

Melanie De Toni by Dean Miocic

Melanie De Toni by Dean Miocic

Melanie De Toni - Dean Miocic Photoshoot 2018
16 jpg | up to 2000*1333 | 15.1 MB
Spanish model

Anthony Phillips - The Geese & The Ghost (1977/2015) Stereo & MCH Hi-Res FLAC 24/48

Anthony Phillips - The Geese & The Ghost (1977/2015) Stereo & MCH Hi-Res FLAC 24/48

Anthony Phillips - The Geese & The Ghost (1977/2015)
FLAC 2.0 & 5.1 (tracks) 24 bit/48 kHz | Time - 49:33 minutes | 571 MB / 1,31 GB
DVD-A to Hi-Res FLAC - Source: Esoteric Recordings (Definitive Edition '2015)

The definitive edition of the 1977 seminal debut solo album by GENESIS founding member Anthony Phillips. The music album could arguably be seen to have begun life as far back as 1969, but in essence it was the result of nearly four years hard work by Anthony, in collaboration with Mike Rutherford (who co-wrote three of the pieces on the record), beginning with a series of recordings made on TEAC 4 track tape recorders, progressing to sessions on the barge studio of engineer Tom Newman. Enlisting the assistance of Phil Collins, John Hackett, Viv Mcauliffe, Jack Lancaster and many others, The Geese and the Ghost finally appeared in 1977 in America on the Passport label and in the UK on the Hit & Run imprint. Lauded by many as a supreme achievement, this definitive of The Geese and the Ghost has been newly re-mastered from the original master tapes by Simon Heyworth and includes a stunning new 5.1 Surround Sound mix of the album by Andy Myles and Simon Heyworth.

Our Bodies, Whose Property?

Our Bodies, Whose Property?

Anne Phillips, "Our Bodies, Whose Property?"
2013 | ISBN-10: 0691150869 | 216 pages | PDF | 3 MB

La moglie dell'aviatore di Melanie Benjamin

La moglie dell'aviatore di Melanie Benjamin

La moglie dell'aviatore di Melanie Benjamin
Neri Pozza | 2014 | ISBN: 8854508020 | 415 pages | EPUB | 3 MB

È il 1927 quando Anne Morrow incontra per la prima volta Charles Lindbergh. Lei è una ragazza piena di grazia e impeto giovanili, con i capelli scuri e curve inadatte agli abiti dalla linea dritta dell'epoca. Lui è un ragazzo di venticinque anni che nel mese di maggio di quell'anno è diventato un eroe: ha sorvolato l'oceano Atlantico come un'aquila, e in solitaria per giunta, conquistando non solo l'intero pianeta ma anche il cielo sovrastante. I Morrow hanno invitato il giovane aviatore nella speranza che i suoi occhi si posino su Elisabeth, la sorella maggiore di Anne, la bella di casa con il suo incarnato di porcellana, i riccioli biondi e i grandi occhi azzurri…

Anthony Phillips - The Geese & The Ghost (1977/2015) Stereo & MCH Hi-Res FLAC 24/48

Anthony Phillips - The Geese & The Ghost (1977/2015) Stereo & MCH Hi-Res FLAC 24/48

Anthony Phillips - The Geese & The Ghost (1977/2015)
FLAC 2.0 & 5.1 (tracks) 24 bit/48 kHz | Time - 49:33 minutes | 572 MB / 1,3 GB
DVD-A to Hi-Res FLAC - Source: Esoteric Recordings (Definitive Edition '2015)

The definitive edition of the 1977 seminal debut solo album by GENESIS founding member Anthony Phillips. The music album could arguably be seen to have begun life as far back as 1969, but in essence it was the result of nearly four years hard work by Anthony, in collaboration with Mike Rutherford (who co-wrote three of the pieces on the record), beginning with a series of recordings made on TEAC 4 track tape recorders, progressing to sessions on the barge studio of engineer Tom Newman. Enlisting the assistance of Phil Collins, John Hackett, Viv Mcauliffe, Jack Lancaster and many others, The Geese and the Ghost finally appeared in 1977 in America on the Passport label and in the UK on the Hit & Run imprint. Lauded by many as a supreme achievement, this definitive of The Geese and the Ghost has been newly re-mastered from the original master tapes by Simon Heyworth and includes a stunning new 5.1 Surround Sound mix of the album by Andy Myles and Simon Heyworth.

Anne Louise Phillips - Inglese per Bambini: Espressioni Elementari

Anne Louise Phillips - Inglese per Bambini: Espressioni Elementari

Anne Louise Phillips - Inglese per Bambini: Espressioni Elementari
Italian | Alpaca Press | 2015 | EPUB | Pages 45 | ASIN: B0111HIBOC | 2.04 Mb

Anthony Phillips - Private Parts & Pieces Part I (1978) + Part II: Back To The Pavilion (1980) 2 CD Set, Remastered 2009

Anthony Phillips - Private Parts & Pieces Part I (1978) + Part II: Back To The Pavilion (1980) 2 CD Set, Remastered 2009

Anthony Phillips - Private Parts & Pieces Part I + Part II: Back To The Pavilion (2009) 2 CD Set
EAC | FLAC | Image (Cue&Log) ~ 675 Mb | Mp3 (CBR320) ~ 343 Mb | Scans included
Prog-Rock, Folk, Finger-Picked Guitar, Art Rock | Label: Voiceprint | # VP532CD | 02:13:19

Two CD set containing a pair of releases from the veteran guitarist and former member of Genesis: Private Parts & Pieces Pt. 1 and Private Parts & Pieces Part 2: Back From The Pavillion. Private Parts and Pieces was originally released in the UK as a free bonus album as part of the Sides release. It was released as a stand alone album shortly afterwards in late 1978. The album is almost all acoustic based material that had been written between Ant leaving Genesis and the release of The Geese and The Ghost. Pt. 2: Back To The Pavillion was released in early 1980 due to the incredible success of the original Private Parts and Pieces album.

Barre Phillips - Aquarian Rain (Music For Bass, Percussion And Tape) (1992) [24/192]

Barre Phillips - Aquarian Rain (Music For Bass, Percussion And Tape) (1992) [24/192]

Barre Phillips - Aquarian Rain (Music For Bass, Percussion And Tape) (1992)
FLAC (tracks) 24-bit/192 kHz | Artwork: front cover | 53:30 | 1.63 Gb
Jazz, Contemporary Jazz | Label: ECM Records ‎- ECM 1451

As a first, this time around the individual tracks go less by titles than by explanatory cues, for in the first, “Bridging,” we find connections already being made between disparate continents. Its guitar-like exuberance and melodic percussion (courtesy of Alain Joule) skirt arco territories toward stillness. “The Flow” brings about a sense of fluidity through electronic whispers, Joule’s vivid comments accentuating the bass’s inner core and painting its outer skin with observations. Phillips elicits a range of avian effects, from twittering concealed in foliage to lanky elegance of cranes and waterfowl, both hunting and in the rapture of a mating dance. “Ripples Edge” does indeed trace the water’s rim with its opening harmonics and navigates surface tensions like a water skater.

Anthony Phillips - Private Parts And Pieces III: Antiques (1982) [Reissue 1991] REPOST

Anthony Phillips - Private Parts And Pieces III: Antiques (1982) [Reissue 1991] REPOST

Anthony Phillips - Private Parts And Pieces III: Antiques (1982) [Reissue 1991]
EAC Rip | FLAC Image + Cue + Log => 182 MB | MP3 CBR @320 kbps => 104 MB | Full scans => 120 MB
Label: Virgin Records | Catalog.#: CDOVD 319 | Genre: Progressive Rock, Contemporary Folk

Private Parts and Pieces III: Antiques is an album by Anthony Phillips, released in 1982. The album is a collaboration with Enrique Berro Garcia.

To have and to kill : Nurse Melanie McGuire, an illicit affair, and the gruesome murder of her husband

To have and to kill : Nurse Melanie McGuire, an illicit affair, and the gruesome murder of her husband

To have and to kill : Nurse Melanie McGuire, an illicit affair, and the gruesome murder of her husband By McGuire, Melanie; McGuire, William; Glatt, John
2008 | 368 Pages | ISBN: 0312941668 | EPUB | 1 MB

Feminism and Politics

Feminism and Politics

Feminism and Politics By Anne Phillips
1998 | 488 Pages | ISBN: 0198782055 | PDF | 26 MB

Melanie C. - The Sea (2011) {Absolute/Red Girl}

Melanie C. - The Sea (2011) {Absolute/Red Girl}

Melanie C. - The Sea (2011) {Absolute/Red Girl}
EAC Rip | FLAC with CUE and log | scans | 341 mb
MP3 CBR 320 kbps | RAR | 106 mb
Genre: modern pop

The Seas is a title that is a play on words, specifically the name of the artist, Melanie Chisholm, better known as Spice Girls singer Melanie C., or Mel C., or Sporty Spice. This is an album released in 2011 by Absolute via Red Girl because she may be the best girl. This is the UK pressing without bonus tracks that are on the European or German versions.

Barre Phillips - Music By... (1981/2018) [Official Digital Download 24/96]

Barre Phillips - Music By... (1981/2018) [Official Digital Download 24/96]

Barre Phillips - Music By… (1981/2018)
FLAC (tracks) 24-bit/96 kHz | Time - 41:16 minutes | 879 MB
Studio Master, Official Digital Download | Artwork: Front Cover

Long before Twitter was a microblogging phenomenon, it was the name of the first cut on this out-of-print gem from Barre Phillips. Thankfully, there is nothing micro about it. Driven by train-like syncopation from drums and bass clarinet, this attention-grabbing burst of virtuosity introduces us to the bubbling acrobatics of daughter Claudia Phillips, a vocalist whose career as chanteuse found a niche in France in the 80s. Her sometimes-manic instincts are swept down the stream of Aina Kemanis, the voice of Journal Violone II.

Barre Phillips - Call Me When You Get There (1984/2018) [Official Digital Download]

Barre Phillips - Call Me When You Get There (1984/2018) [Official Digital Download]

Barre Phillips - Call Me When You Get There (1984/2018)
FLAC (tracks) 24-bit/44.1 kHz | Time - 40:07 minutes | 346 MB
Studio Master, Official Digital Download | Artwork: Front Cover

I’ve said it before, but Barre Phillips is one of ECM’s brightest stars, though one would never know it by the solemnity of his genius. Glowing with a pale fire that can be drawn only in cosmic pigments, his sound-world on Call me when you get there throbs as if Michael Galasso and David Darling had fused into a collaborative quasar. The opening “Grants Pass” would seem to have been written in the margins of Steve Reich’s Different Trains, and works its gentle magic under the toenails of our foothold. Played on resonant multi-tracked instruments, this track stands as one of Phillips’s finest.

Barre Phillips - End To End (2018)

Barre Phillips - End To End (2018)

Barre Phillips - End To End (2018)
EAC Rip | FLAC (Tracks) +cue, log, m3u, artworks - 203 MB | 00:43:43
Jazz, Free Jazz | Label: ECM Records

Legendary double bassist and improviser Barre Phillips writes what is billed as the final chapter in his storied history of solo bass recordings on the aptly titled End To End. He recorded what is generally regarded as the first solo double bass album in 1968 with Journal Violone (Opus One)an unplanned event, as he intended the music to be source material for composer Max Schubel. He followed that with the first improvised double bass duet album with Dave Holland, Music For Two Basses (ECM, 1971). His discography is full of similarly audacious groupings, with a second solo bass entry in Call Me When You Get There (ECM, 1983). For the fifty year anniversary of Journal Violone Phillips played one last installment in his solo bass journeywhich has also included numerous live concert performances over the yearsas not a summing up, but a last documentation.

Barre Phillips - End To End (2018)

Barre Phillips - End To End (2018)

Barre Phillips - End To End (2018)
WEB FLAC (tracks) - 151 Mb | MP3 CBR 320 kbps - 100 Mb | 00:43:51
Jazz, Free Jazz | Label: ECM Records, Deutsche Grammophon

End to End is a solo bass album by one of the great pioneers of the idiom. Over the last fifty years Barre Phillips, California-born but long a resident of France, has periodically issued solo recordings, considering them the musical equivalent of diary entries (the first one, in 1968, was called Journal violone), updates on his ever-evolving relationship to his chosen instrument. This one, he says, will be the last of his albums in this format, so it is of special interest to those who have followed the story so far and, indeed, to anyone wishing to hear a masterful improviser at work, refocussing lessons learned in the course of a long, creative life. “It’s the end of a cycle,” says Barre, now 83, of the present recording. “Not a summing up, but the last pages of a journal that began fifty years ago.”