Nina Hagen - The Very Best Of Nina Hagen (1990) {CBS}

Nina Hagen - The Very Best Of Nina Hagen (1990) {CBS}

Nina Hagen - The Very Best Of Nina Hagen (1990) {CBS}
EAC rip (secure mode) | FLAC+CUE+LOG -> 494 Mb | MP3 @320 -> 166 Mb
Full Artwork @ 300 dpi (jpg) -> 12 Mb
© 1990 CBS Records | 467339 2
Rock / Post Punk / Alternative / Indie


Nina Hagen - The Very Best Of Nina Hagen (1990) {CBS}

The Very Best of Nina Hagen is a greatest hits collection from Nina Hagen, released in 1990.

Born in East Germany, Nina Hagen had already gained a reputation as a flamboyant rock singer by the time she emigrated to the West in 1976, where she formed a band, signed to CBS Germany, and released their debut album, Nina Hagen Band, in 1978. It was followed in 1980 by Unbehagen. Hagen's first U.S. release, Nina Hagen Band EP (1980), was a four-song EP consisting of songs drawn from her two German releases. She moved to New York and made her first English-language LP, Nunsexmonkrock, in 1982. That and its follow-up, the Giorgio Moroder-produced Fearless (1983), charted briefly, and "New York New York" was a Top Ten dance club hit. But Hagen left CBS after Nina Hagen in Ekstacy (1985). In 1988, she celebrated her marriage with the EP Punk Wedding, released in Canada, and in 1989 she returned to the German market with Nina Hagen.

Nina Hagen - Freud Euch (1995) {RCA}

Nina Hagen - Freud Euch (1995) {RCA}

Nina Hagen - Freud Euch (1995) {RCA}
EAC rip (secure mode) | FLAC+CUE+LOG -> 311 Mb | MP3 @320 -> 101 Mb
Full Artwork @ 300 dpi (png) -> 33 Mb
© 1995 BMG / RCA / Ariola | 74321 32064 2
Rock / Post Punk / Alternative / Indie


Nina Hagen - Freud Euch (1995) {RCA}

This 1995 release is a tough little CD much like what NinaHagen sounded like in the early 80's. The PUNK sound is back and herwork is all the better for it. Those of us who remember NUNSEXMONKROCK and the self titled NINA HAGEN BAND will appreciate her going back to that rough and tough sound we loved so much! As soon as you stick FREUD EUCH in your CD player Nina will literally blow you away with the first track "(Another junkie), Einfach Nina", with references to those undesirable and contemptible things in life like the neonazi and the yuppie. The second track "LASS MICH IN RUHE!" has even more hard-core guitar and drum work. The third track "STACHELDRAHT" is more textural and danceable like the work she had in "FEARLESS" and "NINA HAGEN IN EKSTASY". Here she proves she is still the definitive "Mother of PUNK" …and like she so eloquently put it a few years ago "…So what the FUNK!" The seventh track "GEBURT" is almost eerie. Her operatic vocals in this track are reminiscent of "AUF'M BANHOFF ZOO" and "AUF'M RUMMEL." The eighth track "SONNTAGMORGREN" shows she can still poke fun at herself by getting silly and lollipoppish. My first Nina Hagen album was NUNSEXMONROCK and I remember on the cover there was a sticker that read "Nina Hagen is not for weak stomachs or hearts". After listening to her that day I understood what that statement meant. With FREUD EUCH she reiterates it one more time. She's not out to get her name on the top 40 list. She has never felt like she is in some kind of popularity contest. She knows who her audience is…and that's enough. Nina is for those who refuse to conform and follow.

Nina Hagen Band - Nina Hagen Band (1978) {CBS}

Nina Hagen Band - Nina Hagen Band (1978) {CBS}

Nina Hagen Band - Nina Hagen Band (1978) {CBS}
EAC rip (secure mode) | FLAC+CUE+LOG -> 264 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb
© 1978 CBS | CDCBS 83136
Rock / Post Punk / Alternative / Indie


Nina Hagen Band - Nina Hagen Band (1978) {CBS}

Born in East Germany, Nina Hagen had already gained a reputation as a flamboyant rock singer by the time she emigrated to the West in 1976, where she formed a band, signed to CBS Germany, and released their debut album, Nina Hagen Band, in 1978. Includes the songs 'Unbeschreiblich', 'Tv-glotzer ( White Punks On Dope)', 'Auf'm Friedhof' and more.

Nina Hagen - 14 Friendly Abductions: The Best Of Nina Hagen (1996) [Re-Up]

Nina Hagen - 14 Friendly Abductions: The Best Of Nina Hagen (1996) [Re-Up]

Nina Hagen - 14 Friendly Abductions: The Best Of Nina Hagen (1996)
EAC | FLAC | Image (Cue&Log) ~ 586 Mb (incl 5%) | Mp3 (CBR320) ~ 193 Mb (incl 5%) | Scans included
Punk, Post-Punk, New Wave, Alternative | Label: Columbia/Legacy | # CK 64790 | Time: 01:14:06

Nina Hagen is a unique vocalist, ranging from a coloratura soprano to a guttural alto and phrasing in surprising, dramatically changing ways, so that her performances are musical roller coasters, full of sudden shifts in mood and volume. Singing alternately in German and English, Hagen is backed by rock tracks leaning toward punk on some songs, and by producer Giorgio Moroder's signature Euro-disco synth-dance sounds on others on this 14-track, 74-minute compilation. Want to hear a German-language version of the Tubes' "White Punks on Dope"? How about a performance of "My Way" (also in German) that rivals Sid Vicious' for outrageousness? Ultimately, Nina Hagen may be a period novelty act of the early '80s, a mixture of Toni Basil, Falco, and a hyena. But she gets your attention.

Nina Hagen - Nunsexmonkrock/Nina Hagen Band (1978-82) {1991 Columbia Edition}

Nina Hagen - Nunsexmonkrock/Nina Hagen Band (1978-82) {1991 Columbia Edition}

Nina Hagen - Nunsexmonkrock/Nina Hagen Band (1978-82) {1991 Columbia Edition}
EAC rip (secure mode) | FLAC+CUE+LOG -> 386 Mb | MP3 @320 -> 133 Mb
Full Artwork @ 300 dpi (png) -> 20 Mb
© 1991 Sony Music / Columbia / Legacy | CK 46993
Rock / Post Punk / Alternative / Indie


Nina Hagen - Nunsexmonkrock/Nina Hagen Band (1978-82) {1991 Columbia Edition}

This eccentric rock material, all in English, shows the diversity of her vocal instrument.

NUNSEXMONKROCK, hit the American shores and I was completely blown away by all of it. Even though I had many punk/New Wave albums in my collection, this was really, really different. It wasn't just punk, New Wave or pre-Goth. Even now after some 20 years, this album still sounds SO UNUSUAL and creative. When she wrote it, many of NSMR's songs had heavy political/social overtones and messages for its era. That Hagen then hailed from Communist East Germany informed her talent for satire that's heard all over this album. Anti-World which opens this cauldron of noise deals with religion vs. science. Smack Jack addresses heroin addiction which plagued both East and West Berlin through much of the 70s and 80s. On the songs Cosmo Shiva, UFO and Future Is Now, Nina sings of personal spiritual transformation. Born in Xixax decries the nuclear age.

Nina Hagen - Nina Hagen (1989) {Mercury}

Nina Hagen - Nina Hagen (1989) {Mercury}

Nina Hagen - Nina Hagen (1989) {Mercury}
EAC rip (secure mode) | FLAC+CUE+LOG -> 323 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 300 dpi (png) -> 14 Mb
© 1989 Phonogram / Mercury | 838 505-2
Rock / Post Punk / Alternative / Indie


Nina Hagen - Nina Hagen (1989) {Mercury}

At her best Nina Hagen was deliciously abrasive – an East German post-punk princess whose brash delivery was coupled with real musical talent and a wide vocal range. By the end of the '80s, however, she had descended into pop trash, rehashing the same kinds of synth-enforced songs again and again. Her self-titled album is no exception. Largely sung in English, it contains mostly questionable covers, including Janis Joplin's "Move Over," a version of the gospel classic "Hold Me," and a truly awful rendition of "Ave Maria." Two small bright spots on the album are a metal version of "Viva Las Vegas" and a odd rap song about Gorbachev called "Michail, Michail."

Nina Hagen Band - Nina Hagen Band (CBS 83136) (GER 1978) (Vinyl 24-96 & 16-44.1)

Nina Hagen Band - Nina Hagen Band (CBS 83136) (GER 1978) (Vinyl 24-96 & 16-44.1)

Nina Hagen Band - Nina Hagen Band
(CBS 83136) (GER 1978) (Vinyl 24-96 & 16-44.1)

1978 | FLAC | NO LOG & CUE | Artwork | 24Bit/96kHz: 874 MB | 16Bit/44.1kHz: 287 MB

Hagen formed the Nina Hagen Band in West Berlin's Kreuzberg district. In 1978 they released their self-titled debut album, which included the single "TV-Glotzer" (a cover of "White Punks on Dope" by The Tubes, though with entirely different German lyrics), and Auf'm Bahnhof Zoo, about West Berlin's then-notorious Berlin Zoologischer Garten station. The album also included a version of "Rangehn" (approximately, "Go On"), a song she had previously recorded in East Germany, but with different music.

Nina Hagen - Personal Jesus (2010)

Nina Hagen - Personal Jesus (2010)

Nina Hagen - Personal Jesus (2010)
EAC | APE + CUE + LOG | 43:11 | 291 MB | +Covers
New Wave/Punk/Jazz

Her 24th album is called “Personal Jesus” including the Derpeche Mode cover as title track. One of the amazing things about Nina Hagen is, you never know what she will do next. From punk to gospel, classic and folk to indian music, Nina Hagen does it all. And she does it with all her heart and soul. Nina got baptised a few years ago, so it was about time to release a religious album about Jesus and God. And here it is called “Personal Jesus”. 13 songs about her love to God and how he loves her back captured on this long player. The musical style on this album varies between soul, jazz, country and gospel. Nina Hagen sings with an awesome jazzy voice that is very strong and powerful. You can tell that she is totally standing behind what she is singing. You can hear and feel the passion she puts into it and the power she gets from that. The album layout is black and white with nice portraits of Nina Hagen as well as the lyrics. This is a wonderful and deeply emotional album, you should definitely give it a try, even if you usually don’t like her.

Nina Hagen - Street (1991) {Mercury}

Nina Hagen - Street (1991) {Mercury}

Nina Hagen - Street (1991) {Mercury}
EAC rip (secure mode) | FLAC+CUE+LOG -> 344 Mb | MP3 @320 -> 115 Mb
Full Artwork @ 300 dpi (jpg) -> 12 Mb
© 1991 Phonogram / Mercury | 848 716-2
Rock / Post Punk / Alternative / Indie


Nina Hagen - Street (1991) {Mercury}

Nina Hagen is like an exorcism put to a dance beat…and twice as fun. "Street" is possibly one of her most subdued releases. Her vocal quirks are more limited on some tracks like "In My World" but not totally forgotten as in "Nina for President". Although the music sticks to a danceable formula, it's not dated to today's ears.

"Blumen fur die Damen" is simply beautiful. Gorgeous German lyrics over a percolating beat. Listening to her wail the title's words in the background during the middle-eight bars (before the final chorus) gives me chills. But wait, after a few more Danceteria tunes we get "Berlin (Is Dufte)". Nina shows us that she hasn't forgotten her punk roots. And to continue the trend that started on the previous "Nina Hagen" album, we get her version of a classic hit - this time, The Beach Boys' "Good Vibrations".
When a lot of established performers were struggling to stay "with-it" during the 80s, Nina released a satisfying record *and* had fun doing it.

Nina Hagen - Revolution Ballroom (1994) {Mercury}

Nina Hagen - Revolution Ballroom (1994) {Mercury}

Nina Hagen - Revolution Ballroom (1994) {Mercury}
EAC rip (secure mode) | FLAC+CUE+LOG -> 363 Mb | MP3 @320 -> 123 Mb
Full Artwork @ 300 dpi (jpg) -> 8 Mb
© 1994 Phonogram / Mercury | 518 233-2
Rock / Post Punk / Alternative / Indie


Nina Hagen - Revolution Ballroom (1994) {Mercury}

If you are a Nina Hagen fan, this is one of her best. This CD is probably the most commercial one she's done but also has excellent production, writing and of course, singing.
I've loved everything I could get of Nina's since the self titled album. This album is typically strange. Really it starts off with a country and western sound (in a kitsch way). Moving into ballad form with "King of Hearts", then pop trash "Pillow Talk", blues with "I'm Gonna Live the Life" and then finishing with I think the first of her Indian inspired work with "Omhaidakhandi".

Apocalyptica feat. Nina Hagen - Seemann



Apocalyptica feat. Nina Hagen “Seeman”
DivX5 760x324 (2.35:1) | MP3 CBR 128 Kbit/s 44100Hz | 03:55 | 50 MB


Тем, кому незнакомы имена в заголовке, поясню. Данный клип — сборная солянка исполнителей тяжелой музыки. Сама песня - небезызвестной группы Rammstein. Что, вы еще не качаете? Тогда пошли дальше. Поет Nina Hagen, носящая также сценический псевдоним Mother of Punk - думаете, такие прозвища даром раздают? Причем исполняет она, имхо, очень хорошо, отчего неплохая песня стала еще лучше, Rammstein могут гордиться. Ну что, стоит качать? Нет?!
Ну и наконец (но никак не в последнюю очередь), музыка. Ее исполняет группа Apocalyptica. Это скандинавский коллектив, исполняющий тяжелую музыку, в основном Metallica... на виолончелях. Как ни странно, столь "нежный" инструмент на мой взгляд еще больше утяжеляет и без того нелегкую музыку, что, впрочем, ее нисколько не портит. Тот, кто не слышал в их исполнении "Nothing Else Matter" - потерял немало.
Так что запускайте качалки, если я смог пробудить искру интереса ;-)

Nina Hagen - Return Of The Mother (2000) {Orbit Records}

Nina Hagen - Return Of The Mother (2000) {Orbit Records}

Nina Hagen - Return Of The Mother (2000) {Orbit Records}
EAC rip (secure mode) | FLAC+CUE+LOG -> 330 Mb | MP3 @320 -> 101 Mb
Full Artwork @ 300 dpi (jpg) -> 27 Mb
© 2000 Virgin / Orbit | 7243 8 48869 2 9
Rock / Post Punk / Alternative / Indie


Nina Hagen - Return Of The Mother (2000) {Orbit Records}

It had indeed been a few years since Nina Hagen's last regular album ("Freud Euch" and its English version "Bee Happy" in 1995), so there was reason enough to be curious about what the title of the new album, Return of the Mother, might portend. It turns out that the whole album is devoted to balancing the ambivalence contained in that title: the possible sinister undercurrent as well as the advent of sheltering care. The mother figure of the title track is revealed to mean a kind of caring divine principal, not bound to any one religion but common to all. Throughout the album (mostly sung in German but with English interjections) lots of well meaning good advice to humanity gets contrasted with none too clear warnings, all set on a musical backdrop of often sinisterly weighty and elaborate dance/rock arrangements.

Nina Hagen - Bee Happy (1996) {RCA}

Nina Hagen - Bee Happy (1996) {RCA}

Nina Hagen - Bee Happy (1996) {RCA}
EAC rip (secure mode) | FLAC+CUE+LOG -> 297 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb
© 1996 BMG / RCA | 74321 36936 2
Rock / Post Punk / Alternative / Indie


Nina Hagen - Bee Happy (1996) {RCA}

Nina is VERY eclectic. At all of the concerts that I have attended, she has sung punk, opera, rock 'n' roll, blues, krishna chants, big band, and other styles. If you enjoy music as music, no matter what the style, then this CD captures that character of Nina– minus the opera. The first version of this CD, the German, Freud Euch, has two opera-style songs on it that aren't on this CD. There are a couple of other songs on this CD and not on Freud Euch: "Born To Die In Berlin" and "Shiva." This CD also sounds more like how the music sounds in concert, having less overdubs and production tweaks than Freud Euch. It sounds like it was produced for the American audience to give them an idea of what to expect from a live performance by her.

Nina Hagen - In Ekstase (German Version) (1985) {Columbia}

Nina Hagen - In Ekstase (German Version) (1985) {Columbia}

Nina Hagen - In Ekstase (German Version) (1985) {Columbia}
EAC rip (secure mode) | FLAC+CUE+LOG -> 255 Mb | MP3 @320 -> 85 Mb
Full Artwork @ 300 dpi (png) -> 79 Mb
© 1985 CBS / Sony | 477530 2
Rock / Post Punk / Alternative / Indie


Nina Hagen - In Ekstase (German Version) (1985) {Columbia}

This was one of my favorites in the mid 80's. I was disappointed that it was the German version and not the English. My fault entirely. I've nothing against the German language but I wanted to relive a specific time, track after track. But having said that and listening to it a few times I've grown to like it more and more. Nina is an amazing artist in any language so German, English, Bindi, Urdu, Ninaease, whatever, I'm good. 'In Ekstase' in any language embodies Nina at her most self.

Nina Hagen - FreuD Euch (1995) {BMG Ariola 74321 32064 2}

Nina Hagen - FreuD Euch (1995) {BMG Ariola 74321 32064 2}

Nina Hagen - FreuD Euch (1995) {BMG Ariola 74321 32064 2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 315 Mb | MP3 @320 -> 106 Mb
Full Artwork @ 600 dpi (png) -> 542 Mb | 5% repair rar
© 1995 RCA / BMG Ariola | 74321 32064 2
Rock / Post Punk / Alternative / Indie

This 1995 release is a tough little CD much like what NinaHagen sounded like in the early 80's. The PUNK sound is back and herwork is all the better for it. Those of us who remember NUNSEXMONKROCK and the self titled NINA HAGEN BAND will appreciate her going back to that rough and tough sound we loved so much! As soon as you stick FREUD EUCH in your CD player Nina will literally blow you away with the first track "(Another junkie), Einfach Nina", with references to those undesirable and contemptible things in life like the neonazi and the yuppie.

Nina Hagen Band - Unbehagen (1979) {Columbia}

Nina Hagen Band - Unbehagen (1979) {Columbia}

Nina Hagen Band - Unbehagen (1979) {Columbia}
EAC rip (secure mode) | FLAC+CUE+LOG -> 257 Mb | MP3 @320 -> 86 Mb
Full Artwork @ 300 dpi (png) -> 18 Mb
© 1991 Sony Music / Columbia | COL 468027 2
Rock / Post Punk / Alternative / Indie


Nina Hagen Band - Unbehagen (1979) {Columbia}

This is one great album by the German rock diva, perhaps her best. It is more accessible than the debut, offers greater variety and some truly gripping songs. African Reggae is a powerful tour de force and by the way, a dancefloor classic, Wir Leben Immer Noch (Lene Lovich's Lucky Number) is a perfect pop song, and Wenn ich ein Junge war with its somewhat risque lyrics just about bursts with exuberance. Fall In Love mit Mir is another catchy number, but every track has its own charm. The great melodies and intelligent lyrics with enthusiastic playing by her band ensure the classic status of this album. In my opinion, this is her Opus Magnum. It demonstrates what can be achieved by integrating reggae rhythms into a rock format, while the rock songs remain top of the league. Her vocal gymnastics are less in evident than on the debut album, but her voice is still brilliantly utilised. An excellent, timeless classic!

Nina Hagen - In Ekstasy (English Version) (1985) {Japan Edition}

Nina Hagen - In Ekstasy (English Version) (1985) {Japan Edition}

Nina Hagen - In Ekstasy (English Version) (1985) {Japan Edition}
EAC rip (secure mode) | FLAC+CUE+LOG -> 320 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 300 dpi (png) -> 58 Mb
© 1985 CBS Inc. / Sony | CDCBS 26421
Rock / Post Punk / Alternative / Indie


Nina Hagen - In Ekstasy (English Version) (1985) {Japan Edition}

The easiest approach would be saying you can't think of anything you like about this album, you won't get bored. It's not entirely true; with a very short attention span you might judge this as incredibly crappy pop. It takes a few listens from a completely unprepared listener to understand this goes way beyond pop.

Nina Hagen - Definitive Collection (1995)

Nina Hagen - Definitive Collection (1995)

Nina Hagen - Definitive Collection (1995)
EAC | APE-CUE-LOG | 74:47 | 440 MB | + Covers
Rock, Punk / New Wave

Definitive Collection is a compilation album by Nina Hagen, released in 1995, featuring 17 of the German new wave chanteuse's best

Nina Hagen - Bekenntnisse

Nina Hagen - Bekenntnisse

Nina Hagen - Bekenntnisse
Genre: Menschen, Wissen | Time: 05:15:00 | Publisher: Universal Music | ISBN: 382912368X | 19. Marz 2010
Language: Deutsch | Audiobook in MP3 / 160 kbps | 372.45 MB | FileServe, Filesonic

Nina Hagen nimmt die Maske ab und erzählt die wahre Geschichte ihres Lebens in einem großen, hinreißend erzählten Buch.

Nina Hagen - Bee Happy (1996) {RCA-Ariola}

Nina Hagen - Bee Happy (1996) {RCA-Ariola}

Nina Hagen - Bee Happy (1996) {RCA-Ariola}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 301 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 190 Mb | 5% repair rar
© 1996 RCA / BMG Ariola | 74321 36936 2
Rock / Post Punk / Alternative / Indie

Nina is VERY eclectic. At all of the concerts that I have attended, she has sung punk, opera, rock 'n' roll, blues, krishna chants, big band, and other styles. If you enjoy music as music, no matter what the style, then this CD captures that character of Nina– minus the opera. The first version of this CD, the German, Freud Euch, has two opera-style songs on it that aren't on this CD. There are a couple of other songs on this CD and not on Freud Euch: "Born To Die In Berlin" and "Shiva." This CD also sounds more like how the music sounds in concert, having less overdubs and production tweaks than Freud Euch. It sounds like it was produced for the American audience to give them an idea of what to expect from a live performance by her.